VFX and cinematography are broadly two separate part of the complex process of makinga telecasting showor film . You film the live - activity poppycock , then you send it to have the expert add the optic effects in . Well , what if you require to do both at the same clock time — current in high - tone backcloth onto a set to allow for actor to play against their real digital surroundings ? Maybe try using a game engine .

That ’s the solution Lucasfilm come up with forThe Mandalorian , anyway , which boast a purportedly innovational collaboration between Industrial Lights and Magic on the one hand and Epic Games on the other to produce real - sentence digital sets using a semicircular LED video bulwark and Epic ’s Unreal Engine . This is n’t the first clip we ’ve see of Lucasfilm using picture game technology to help innovate in digital filmmaking , but a new television released byILMVFXgives us the most detailed thought yet at how the process works .

It ’s neat stuff . By fork out preferences in the Unreal Engine and then streaming it to these massive LED video walls , these VFX teams make backdrops in front of which bouncy set can be put together , tolerate the histrion to act in the actual surround spectator are hold up to see on screen . This also limits the amount of time needed for after - the - fact VFX and admit for a more director - driven approach , as directorial choices are n’t fix by the need to edit in VFX later on . Instead , the two arts can adapt to each other in a live place setting .

A diagram of the composition of a hybrid digital/physical shot.

A diagram of the composition of a hybrid digital/physical shot.Image: Lucasfilm

https://gizmodo.com/the-mandalorian-has-an-awesome-behind-the-scenes-link-t-1841453956

So if you ’re wondering why The Mandalorian is so visually engrossing , despite so heavily sport digital effects , here ’s part of the ground . The showreturns for a second seasonthis fall .

For more , ensure you ’re following us on our Instagram @io9dotcom .

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